The work uses a simple dance language and a minimalist aesthetic, and explores the notion of life as a framework in which a precise, almost compulsive repetition of customs and behaviors takes place. The work explores this notion while addressing a variety of contexts, ranging from the state, military and family to the intimate framework of a couple's relationship, as well as the individual with himself.  It deals with two kinds of borders: on one hand it deals with real frameworks and boundaries, such as the boundaries between states, or between two rooms, and on the other hand it deals with the boundaries within ourselves – those which do not lend themselves to realization: the limitations of ability, the boundaries of ethics – those boundaries that the individual sets for himself.

The work is considered by many a milestone in the developement of independant Israeli choreography, and it also received impressive international acclaim: the work had won several awards at the time, among them the Bagnolet Competition for Choreography.

*The show includes a brief nude scene. 

Performed by: Niv Sheinfeld and Oren Laor. 

Artistic consultation: Keren Levy. 

Rehearsal direction: Carmit Burian, Yael Venezia. 

Music: Uri Vidislavsky, Elton John, Veins of Jenna. 

Photography: Gadi Dagon.